New Year’s resolutions are a way of setting priorities and reaffirming what truly matters.
Find out more about Fundación MAPFRE’s social commitment
Latest posts
Avoid miracle diets. Choose health.
Avoid miracle diets and protect your health by gradually changing your diet and habits, getting reliable information, and seeking professional support when necessary.
In 2026, we choose to renew our commitment
As a new year begins, the challenges ahead are significant, but our determination is steadfast. That is why our resolutions for the year ahead are not merely intentions, but a guiding framework that shapes our actions and boosts our mission.
You can now view the final decision for the 2025 +Rural Grants
The Final Decision for the 2025 +Rural Grants Call for Proposals has now been published.
We are human, we are united in solidarity
On International Human Solidarity Day, we invite you to reflect on the importance of solidarity and to remember that the development of our society is only possible when no one is left behind.
For the equality of Roma women
Fundación MAPFRE and the Fundación Secretariado Gitano strengthen their commitment to inclusion thanks to a grant from Enterprise Mobility™
Art and Culture

Anders Zorn
Midnight, 1891
© Zornmuseet, Mora
FEB.19.2026 – MAY.17.2026, MAD
Anders Zorn
Traveling the World, Remembering the Land
Coming from a humble rural background, Swedish artist Anders Zorn (1860-1920) achieved international fame as a portraitist of kings, politicians, and other celebrities of his time.
This exhibition presents a comprehensive overview of his work, a long and rich career in which his interest in portraying both the features of modernity and scenes characteristic of traditional life in his native region complemented his work as a portraitist.

Helen Levitt
New York, c. 1940
© Film Documents LLC, courtesy Zander Galerie, Cologne
FEB.19.2026 – MAY.17.2026, MAD
Helen Levitt
Helen Levitt (1913–2009) began photographing her native New York in the late 1930s, capturing images that reflected life in the poorest neighborhoods and, in particular, children and their street games. She did so with a special instinct for conveying the emotion, mystery, and humor contained in those childhood scenes.
Her work soon received the recognition it deserved, and in 1943 the Museum of Modern Art in New York organized her first solo exhibition. Deeply committed to social causes, Levitt was one of the first women to carve out a professional path in photography. The nearly 200 photographs featured in this exhibition offer a comprehensive journey through her entire career.

Helen Levitt
New York, c.1940
© Film Documents LLC, courtesy Zander Galerie, Cologne
SEP.24.2025 – FEB.1.2026, BCN
Helen Levitt
Helen Levitt (1913–2009) began photographing her native New York in the late 1930s, capturing images that reflected life in the poorest neighborhoods, especially children and their games in the streets. She did so with an unerring instinct for capturing, beyond the scenes of childhood, all the emotion, mystery, and humor of everyday life. Her work soon gained the recognition it deserved, and in 1943 the MOMA in New York organized her first solo exhibition. Throughout her career, she also paid close attention to the medium of film.
A socially committed artist, Levitt was one of the first women to forge a professional career in photography. The exhibition (nearly 200 photographs organized into nine sections) offers a comprehensive overview of her entire career.

Abril Coudougnan
Untitled, project Tous les mots maux sont inventés, 2024
Digital Photography
© Abril Coudougnan
SEP.24.2025 – FEB.1.2026, BCN
KBr Flama’25
KBr Fundación MAPFRE hosts the fifth edition of its annual appointment with the emerging talent of the new generations of photographers who begin their professional careers after their training in Barcelona. This year the exhibition brings together the work of Bernat Erra (Barcelona, 2003), Irina Cervelló (Martorell, 2001), Abril Coudougnan (Perpinyà, 1999) and Patrick Martin (Stockport, England, 1996), selected by a jury made up of Javier Martín, Arianna Rinaldo and María Santoyo. All of them share a critical and sensitive look towards the construction of memory, whether intimate, collective or territorial.
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