© José Gutiérrez Solana. VEGAP, Madrid, 2022

COLLECTIONS CATALOG

La baraja de la muerte
The Deck of Death
José Gutiérrez Solana
Medium
Oil on canvas
Dimensions
Printed area size: 57 × 78 cm
Measures with a framework: 64 × 84 cm
Inventory
FM000455
Date
ca. 1926-1927
1926
Inscription/Legend
Signed in the lower left corner
Author
Born: Madrid, 1886
Died: Madrid, 1945
Drawing
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© José Gutiérrez Solana. VEGAP, Madrid, 2022

Descripción

Between 1926 and 1927 the work of José Gutiérrez Solana garnered widespread international recognition by virtue of his participation in the Iberian Artists Salon and because his still lifes were, among other reasons, associated with the new realisms, known throughout Europe as the “return to order”.

In the painting La baraja de la muerte [The Deck of Death], also known as Bodegón del juicio final [Still Life of the Final Judgment] death takes on the form of a still life for the first time. A series of objects—more or less linked to a traditional vanitas painting—are laid out on a rough wooden table: a mirror, some cards, a pistol, a suit of armor, and a skull. In terms of the cards, one can identify the wheel of fortune, death, the emperor, and justice from a tarot card deck, pointing to the inexorability of time and the vanity of pleasure, beauty, and glory.

Solana forced the point of view when painting the deck and did not hesitate to include a number (III) on one of the card’s sides to ensure the spectator had a complete reading. Located behind the card with the figure of death, the horn is a reference to the arrival of the final judgment. The wineskin represents tradition and occupies a space that would usually be filled with delicacies and fruits in traditional vanitas paintings.

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© José Gutiérrez Solana. VEGAP, Madrid, 2022

Dato que aparecerá sobre la obra/bibliografía
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