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Latest posts
Apprentices receive their diplomas and prepare to take the next step into employment
Over the past few days, participants in the Apprentice Workshops have been celebrating an important milestone in cities across Spain—they have received their diplomas now they have completed their training.
Before you drive, check your medication
To what extent do we know about the risks of driving under the influence of medication? The Drugs and Driving study analyzes levels of awareness, risk perception, and how both influence drivers’ behavior.
Standing with those affected by the earthquakes in Venezuela
Thousands of people are suffering the devastating consequences of the powerful earthquakes that have struck northern Venezuela. Fundación Mapfre is taking immediate action to help meet their most urgent needs.
“En Marcha” towards a better life
En Marcha, an initiative in which we collaborate with the Z Zurich Foundation and San Juan de Dios, supports young people through a comprehensive pathway to employability.
From impetus to impact: the true path of social innovation
The winning projects in our Fundación Mapfre Awards for Social Innovation have continued to grow, becoming part of the solution and changing lives. Learn about their journey.
Art and Culture
Eleanor Fortescue-Brickdale
The pale complexion of true love, 1899
© Musée d’Orsay, dist. RMN-Grand Palais / Sophie Crépy
SEP.24.2026 – JAN.10.2027, MAD
Women Artists
Pathways through Pre-Raphaelitism (1850-1914)
Women Artists: Pathways through Pre-Raphaelitism (1850-1914) revisits this movement, which emerged in Great Britain in 1848 as an opposition to official academic art and remained influential until the early years of the twentieth century. The exhibition presents a broad anthology of the various ways in which women artists engaged with this new style.
To this end, it explores how women artists in Victorian society approached and adapted the potential of Pre-Raphaelitism despite the disadvantaged position imposed upon them by the social norms of the time. It also examines the different factors that shaped their connection to the movement, including their relationships with certain male artists, their enthusiasm for John Ruskin—one of Pre-Raphaelitism’s most prominent advocates—and their own independent judgment and artistic tastes, among other influences.
This diversity of paths leading to the new style also gave rise to a wide range of artistic works: oil paintings, watercolours, drawings and prints, photographs, textiles, embroidery, enamels, and stained glass. Featured artists include Elizabeth Siddal, Julia Margaret Cameron, Evelyn De Morgan, May Morris, and Eleanor Fortescue-Brickdale, among many others represented in the exhibition.
Else Blankenhorn
Untitled [Nocturnal Riverside Landscape], 1908–1919
© Prinzhorn Collection, Heidelberg University Hospital
SEP.24.2026 – JAN.10.2027, MAD
The other face of the avant-garde
The other face of the avant-garde explores the relationship between avant-garde art and works created by psychiatric patients, considered here as a threshold that avant-garde artists looked toward in their renewal of modern art.
The exhibition takes as its starting point the book Expressions of Madness (1922) by the German psychiatrist and art historian Hans Prinzhorn (1886–1933), based on his study of a collection of works by patients with mental illness that he assembled at the Heidelberg hospital. This publication gave visibility and artistic dignity to these patients’ creations and challenged traditional boundaries of art. The exhibition also examines the cultural and artistic context in which the book was conceived, as well as its subsequent influence on various avant-garde movements and its decisive role in the emergence of Art Brut.
Minor White
Cape Ann, Massachusetts, from Sequence 1968, December 24, 1966
The Minor White Archive, Princeton University Art Museum, the legacy of Minor White
© Trustees of Princeton University. Photo: Allen Chen
SEP.24.2026 – JAN.10.2027, MAD
Minor White
A figure of enormous influence in 20th-century American photography, Minor White (Minneapolis, 1908–Boston, 1976) developed his concept of photography across virtually every area of the medium, from creative practice and teaching to editorial and museum work. Founder and editor of the magazine Aperture and a professor at some of the most important educational institutions in the American scene, Minor White used these platforms to convey and share his ideas and to pursue his goal of presenting the photographic image as a space for self-knowledge and spiritual transformation. Organized on the occasion of the fiftieth anniversary of his death, this exhibition —the first major retrospective of his work in Europe— offers a comprehensive overview of his oeuvre, featuring his most representative themes (nature photography, portraiture, and street photography), with special attention to his work with sequences.
Minor White
Cape Ann, Massachusetts, from Sequence 1968, December 24, 1966
The Minor White Archive, Princeton University Art Museum, the legacy of Minor White
© Trustees of Princeton University. Photo: Allen Chen
JUNE.18.2026 – SEP.06.2026, BCN
Minor White
A figure of enormous influence in 20th-century American photography, Minor White (Minneapolis, 1908–Boston, 1976) developed his concept of photography across virtually every area of the medium, from creative practice and teaching to editorial and museum work. Founder and editor of the magazine Aperture and a professor at some of the most important educational institutions in the American scene, Minor White used these platforms to convey and share his ideas and to pursue his goal of presenting the photographic image as a space for self-knowledge and spiritual transformation. Organized on the occasion of the fiftieth anniversary of his death, this exhibition —the first major retrospective of his work in Europe— offers a comprehensive overview of his oeuvre, featuring his most representative themes (nature photography, portraiture, and street photography), with special attention to his work with sequences.
Joaquín Tusquets de Cabirol
Trip to France, May 1955
Joaquín Tusquets de Cabirol Photographic Archive / Fundación Photographic Social Vision
© Archivo Fotográfico Joaquín Tusquets de Cabirol
JUNE.18.2026 – SEP.06.2026, BCN
Joaquín Tusquets de Cabirol
Eloquent Form
Joaquín Tusquets de Cabirol (Barcelona, 1904–1979) grew up in a welltodo family environment that provided him with an education attuned to art and culture, which undoubtedly helped shape his photographic sensibility. A chemist and industrialist by profession, he found in photography a means to express a lucid, aesthetic and profound view of his surroundings. His images, which offer a unique vision of postwar Catalonia, stand out for their evolution from pictorialism toward formal and technical experimentation, while the exceptional quality of his prints is owed to his mastery of chemical developing processes.
The exhibition, organized by Fundación Mapfre in collaboration with the Photographic Social Vision Foundation, the institution that safeguards and preserves the photographer’s archive, forms part of KBr’s ongoing commitment to showcasing photography collections held in Catalan institutions.
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