Jorge Ribalta

It’s All True. Fictions and documents (1987-2020)

 

FEB.11.2022           MAY.08.2022

CCIB, plaza de Willy Brandt 11-14, 15 de junio de 2011

Jorge Ribalta
CCIB, Plaza de Willy Brandt 11-14 , 15 June 2011
From the series “Futurismo” (Futurism)
© Jorge Ribalta, VEGAP, 2022

Exhibition

 

FEB.11.2022        MAY.08.2022

Where

Recoletos Exhibition Hall
Paseo Recoletos 23, 28004 Madrid

Tel: 915 81 61 00

cultura@fundacionmapfre.org

Opening hours:
Mondays (except holidays): 2 pm – 8 pm
Tuesday to Saturday: 11 am – 8 pm
Sunday and holidays: 11 am – 7 pm

Closed:
December 25th, January 1st and 6th

Limited opening hours:
December 24th and 31th, January 5th: 11 am – 3 pm

*The evacuation of the hall starts 10 minutes before closing time. Last access (7:30 pm or 6:30 pm) only allows a 20 minutes tour to the exhibitions.

How to arrive

Buses: 5 – 14 – 27 – 37 – 45 – 53 – 150
www.emtmadrid.es

Subway: Line 4 (Colón), line 2 (Banco de España) and line 5 (Chueca)
www.metromadrid.es

Trains: C-2, C-7, C-8 and C-10
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Audioguides

Available online in Spanish and English. Accessible via mobile without downloads or installations.

Also available in audio device obtainable in the hall (if available).

Price: €4

Accessibility

Ramp for wheelchair access – The three floors of the hall are accessed by a generously-sized elevator.

Services

Locker Service.

Bookshop

LAIE Tel. 911 703 851 fmapfre@laie.es

JORGE RIBALTA (Barcelona, 1963) is a curator, art critic and photographer, activities that he has combined since the beginning of his career in the 1980s. In 2005, his work underwent a radical change that divided it into two distinct periods, at least in terms of its basic approach. During the first, his work focused on poetically exploring the constructed naturalism of photography, while the second redirected his projects towards the reinvention of the documentary.

Jorge Ribalta’s first exhibition was held at the Metrònom gallery in Barcelona during the Primavera Fotográfica festival in 1988. In the late 1980s and early 1990s he enjoyed several stays in the United States, mainly in New York and Chicago, and in 1994 he organized his first exhibition at the Zabriskie Gallery, coinciding with his participation in the New Photography 10 exhibition, the influential annual international selection of emerging artists organized by The Museum of Modern Art [MoMA].

In his role as a cultural manager, he directed the Public Programs Department at the Museu d’Art Contemporani de Barcelona [MACBA] between 1999 and 2009 and has edited several books on photography that are considered works of reference: Indiferencia y singularidad. La fotografía en el pensamiento artístico contemporáneo (Indifference and Singularity: Photography in Contemporary Artistic Thought; 1997, republished in 2003), and El movimiento de la fotografía obrera, 1926-1939 (The Working Class Photography Movement, 1926-1939; 2011). He has also been a regular contributor to the newspaper La Vanguardia, has advised the Gustavo Gili publishing house on their photography collection, and regularly publishes articles and essays in various media. His work has been shown in numerous joint exhibitions and he has had monographic exhibitions in Madrid, Barcelona, New York and Paris, as well as Salamanca and Cáceres.

Buy tickets

Jorge Ribalta

Select an option

Tickets

Individual

PLUS Ticket

  • TICKET and AUDIO GUIDE for The French Taste... and Jorge Ribalta. The audio guide is accessible online, from your Smartphone, without downloads or installations. An audio device can also be requested in the room (if available).
  • Prices: PLUS General Admission: €9. PLUS Reduced Admission: €7.
  • Does not incluye headphones. You can add them (€1) during the online purchase or at the ticket office. For sustainability reasons we recommend you to bring your own headphones.

Individual Ticket

  • Allows to visit Jorge Ribalta and The French Taste....
  • General admission: €5.
  • Reduced admission: €3 (Beneficiaries of reduced admission).
  • Free Access (0€): mondays except holidays, from 2 pm to 8 pm.

The beneficiaries of free admission must obtain their ticket at the ticket office in the room.

Commented Tour

  • Cultural mediation is one of the most dynamic and effective instruments used by Museums to provide their visitors a better understanding of exhibitions.
  • In a brief explanation (15-20 min. approx.), our mediation team shares with interested visitors concepts and information to go in depth in the evaluation and enjoyment of the exhibited works.
  • Hours: Wednesdays and Thursdays: from 4 to 7 pm.; Fridays and Saturdays: from 12 am to 2 pm. and from 4 to 7 pm; Sundays and holidays: from 12 am to 2 pm.
  • No additional cost upon entry. Information at reception desk.

MAPFRE Clients

  • MAPFRE offers to its policyholders 2 free tickets (4 if Platinum Client) to visit French taste… and Jorge Ribalta on the date they choose.
  • To obtain courtesy tickets of MAPFRE, access the online ticket office and follow the purchase process. Before payment, the program will request your ID and will automatically activate the free tickets that correspond to you.
  • You can also get them at the ticket office in the room, presenting your ID.
  • Invitations must be used in a single visit.
  • Any question you have, please check these simple instructions.

Collaborating Entities

  • If you belong to any of the entities that collaborate with Fundación MAPFRE, you must obtain your reduced ticket (€ 1) at the ticket office in the room.

Audioguides

  • If you have already purchased a individual ticket and want to add the audio guide, you can purchase it here. Price: 4 €
  • The audio guide is accessible online, from your Smartphone, without downloads or installations. An audio device can also be requested in the room (if available).
  • Does not incluye headphones. You can add them (€1) during the online purchase or at the ticket office. For sustainability reasons we recommend you to bring your own headphones.

Groups

Group Visit

  • It's mandatory for the Group Visit to have a guide or person in charge. To request a guide from the Foundation, ask please for information and rates to: cultura@fundacionmafpre.org
  • The group must be made up of a minimum of 6 people. Currently, and due to health prevention measures, the maximum number of members (guide included) is 11 pax.
  • The use of an audio-guiding system is mandatory for the visit. If the group does not have its own, you must add it (€1/pax) during the online purchase process.
  • Schedule: From Tuesdays to Fridays: 11 am, 1 pm, 2 pm, 3 pm, 4 pm, 5 pm and 6 pm.
  • Maximum duration of the visit: 60 min.
  • The formalization of the booking implies the acceptance of these Rules for group visit.

€3/pax.

Schools

Educational activities for schools are developed entirely in Spanish. If you are interested please consult section Colegios y Familias.

Families

Educational activities for families are developed entirely in Spanish. If you are interested please consult section Colegios y Familias.

Important:

  • All tickets allow access to all three exhibitions.
  • Tickets changes or returns are not allowed except for justified force majeure.
  • Reduced capacity for health prevention. Get your ticket at the online box office from here to avoid waiting.
  • Fundación MAPFRE is not responsible for the rates, schedules and other information applied on the websites of other entities where tickets for their exhibitions can be purchased.
Fundación MAPFRE presents Jorge Ribalta. Todo es verdad. Ficciones y documentos 1987-2020, which takes its title from Orson Welles’ famous but unfinished documentary It’s All True (1941-1943), a work that has been the subject of numerous debates in recent decades. The project is Jorge Ribalta’s first retrospective exhibition and traces the evolution of staged illusionist photography that began in 1987, to his “documentary photography”, which began in 2005 and which he continues to develop today.

Based on large sets and a serial logic, the chronological exhibition brings together 14 series of work from the late 1980s to 2020, and also includes a room with 4 projections and documentary material that offers a broad overview of the artist’s work.

Curator: Valentín Roma

Exhibition organized by Fundación MAPFRE and the Museo Universidad de Navarra.

Download the exhibition brochure (15 MB)

Download the exhibition texts (89 KB)

Documentary photography: In 2005, Ribalta switched his photographic language from staged photography to the documentary style Although his work falls within this tradition, the author analyzes and transforms it on the basis of different research projects in which he deals with the contradictions and unresolved tensions of this practice. Some of his most important projects in this field are: “Petit Grand Tour”, “Laocoonte salvaje”, “Scrambling” and “Imperio (o K.D.)”.

A critique of the cultural machine: Ribalta’s images ‒shot mainly in black and white using analog film‒ are the fruit of rigorous and nuanced observation. Through his work, the artist takes a journey into the changing landscapes of the late capitalism of our time. The artist’s work creates not only a document, but also a critique ‒not without humor‒ of the culture and cultural artifacts with which we live, and he addresses art, politics, economics, labor and history in a cross-cutting manner.

It’s All True. Fiction and documents: In 1941, Orson Welles conceived It’s All True as a movie blending three different feature films mixing documentary and docufiction, comprising three stories centered on Latin America. This project, cancelled in mid-production, has been the subject of much debate and in 1993 was revived by Richard Wilson who, together with Myron Meisel and Bill Krohn, made It’s All True: Based on an Unfinished Film by Orson Welles. This documentary, true fieldwork revolving around a story, is to a large extent related to Ribalta’s way of working, as well as to the way in which the exhibition presented at Fundación MAPFRE has been conceived. It covers the artist’s entire career chronologically and at the same time reveals and obscures aspects of a history that is often “constructed”, a construction that is typical of photographic language and indeed of any artistic medium.

If you would like to contact the Communication Department to request the press dossier, high-resolution images or for any other matter, please complete the form below, giving the name of the medium/media for which you require this information.

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