SEP.14.2017 ──────── JAN.07.2018
Clementine and Bebe, Cambridge 1986
Gelatin silver copy, contact
©Nicholas Nixon. Courtesy of the Fraenkel Gallery, San Francisco
SEP.14.2017 ── JAN.07.2018
Bárbara de Braganza Exhibition Hall
Bárbara de Braganza, 13. 28004 Madrid
This exhibition is produced by Fundación MAPFRE and curated by Carlos Gollonet, chief photography curator at Fundación MAPFRE.
The exhibition is arranged in three major parts: “Cities”, “Communities” and “Artists and models”. Through them, we shall travel in time and to the place, to recognize influences and to indicate significant parallelisms between artists from 1916 to 2013. We shall find authors who are a benchmark in the history of photography, and also those less familiar, but all sharing a particular view on the central theme of the exhibition.
It has been attempted to favor the collective vitality of the whole group, above individual achievements, however outstanding or influential some of them may be. We intend to give a view that helps to understand the complexity and wealth of the portrait in contemporary photography, and hence perceive and appreciate the immense creative ability of the artists represented here.
The selection presented contemplates a wider view of the portrait. There are examples of the formal, prearranged studio portrait, which is the most widely recognized, such as portraits by Jitka Hanzlová. but other different modalities are also included: Fleeting street portraits, in which the characters portrayed are unaware of the camera (Helen Levitt, Harry Callahan); the urban portrait by Diane Arbus; portraits that give visibility to an entire community, like those by Paul Strand; committed portraits with a heavy social burden, such as those by Fazal Sheik, intimate and family portraits by Emmet Gowin; ironic self-portraits by Friedlander or Graciela Iturbide, which reflect their obsessions.
Collection: A collection is the background of the gaze > that forms it, and also history, in this specific case of photography of the 20th century. We get a glimpse of the evolution of creativity of the human being, and the extraordinary adventure that has involved the way of portraying ourselves over time.
Cities: Portrayal of street life, reflecting one of the most dynamic traditions of photography in the 20th century, scenes where the theater of life is truly developed. Some of the artists found in this section are Walker Evans, Lisette Model, John Gutmann, Helen Levitt, Joan Colom, Harry Callahan, Diane Arbus, Alberto García Alix, Garry Winogrand and Robert Adams.
Communities: Focus is made on artists, who like Paul Strand, portray communities, people,human groups. In some of them, we shall discover social implications such as the work by Fazal Sheikh and Cristina García Rodero, and also artists when the portrait becomes a personal search, like Dayanita Singh or Jitka Hanzlová.
Artists and models: At the end of the 20th century the artist studio and inside places took on renewed vitality . This is the key point of the last section of this exhibition, which includes a selection of self-portraits, present in photography from the start, and which have always given the artist the possibility of constructing their own image.