Rediscovering the Mediterranean
OCT.10.2018 ──────── JAN.13.2019
Théo van Rysselberghe
La punta Saint-Pierre en Saint-Tropez, 1896
Musée National d’Histoire et d’Art Luxembourg. Émile Mayrisch Collection. Luxembourg Red Cross
© Musée National d’Histoire et d’Art Luxembourg | Tom Lucas
OCT.10.2018 ── JAN.13.2019
Recoletos Exhibition Hall
Paseo Recoletos 23, 28004 Madrid
The exhibition, produced by Fundación MAPFRE, has only been made possible thanks to the support of more than seventy lenders who have collaborated with the show. Notable among them are the Musée d’Orsay, Musée National Picasso-Paris, the Musée Matisse Nice, the Centre Georges Pompidou, the Musée d’Art Moderne de la Ville de Paris, the Museo Nacional Centro de Arte Reina Sofía, the Kunstmuseum Winterthur, the Columbus Museum of Art and the Museo di Arte Moderna e Contemporanea di Trento and Rovereto . Also essential was the generosity and extraordinary willingness of private collectors to lend works of exceptional quality.
This exhibition forms part of the international project Picasso-Mediterranean, an initiative of the Musée National Picasso-Paris. This program of exhibitions, activities and scientific exchanges runs from 2017 to 2019 and counts on the participation of over seventy international institutions: www.picasso-mediterranee.org
The Mediterranean as a landscape and as a geographical space, but also as a culture and an idea. With all of its nuances, the Mediterranean became a driving force of renewal for painters such as Monet, Renoir, Cézanne, Seurat, Derain, Braque, Bonnard, Matisse, Joaquín Sorolla, Ignacio Pinazo, Joaquim Mir, Joaquim Sunyer, Picasso, Giorgio de Chirico and Carlo Carrà, to mention just a few.
The idea behind the exhibition Rediscovering the Mediterranean is to review the paintings and sculptures of the artists who, during that period, happened upon a joyous moment in their way of producing and representing art. The Mediterranean as a reconciliation with the past, but also a place of artistic freedom which would become one of the major points of reference for the creation and evolution of modern art.
France: From 1880 onwards, the south of France became one of the preferred destinations for artists in search of new horizons. The Midi [midday or south of France] region became a kind of open-air workshop for a number of generations of artists fleeing from the hustle and bustle of the urban world. So complete was their identification with the region that when we speak these days of the “Midi Workshops”, it is hard to disassociate the artists from the places in which they lived: Aix-en Provence with Cézanne, Arles with Van Gogh, Nice with Matisse, Cannet with Bonnard and Cagnes-sur-Mer with Renoir.
Italy: The work of Italian artists seems inherent in Mediterranean culture. Beyond the topic or scene they depict, an overriding concept seems to emerge in all of these artists’ paintings, as if they were attempting to recapture a mythical past which belongs to them in its own right. The Italian artists featured in this exhibition based their ideas on recovering the ancient, the mythical and the classical but without overlooking their reconciliation with the modern style of painting to which they themselves subscribed.
Matisse and Picasso: The work of both Matisse and Picasso appears to bring together aspects of a good number of the artists represented in this exhibition. The tranquility transmitted by the compositions of Matisse echoes aspects of Bonnard, some of the Fauves and even certain Valencian and Catalan artists. On the other hand, there is the ambivalence found in the works of Picasso: some narratives, some classical and at the same time primitive, displaying the full aggression and melancholy of the artist and his life.
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