KBr Flama’25

SEP.24.2025          FEB.1.2026

Motorcycle mirror reflects a fast-food sign against a crumpled turquoise blue background.

Abril Coudougnan
Untitled, project Tous les mots maux sont inventés, 2024
Digital Photography
© Abril Coudougnan

Exhibition

 

SEP.24.2025        FEB.1.2026

Where

KBr Photography Center
Avenida Litoral, 30 – 08005 Barcelona

KBr Fundación Mapfre hosts a new edition of KBr Flama, the project that each year presents a selection of young talent emerging from the main photography schools in Barcelona: Idep Barcelona, IEFC, Elisava-Facultad de Diseño e Ingeniería de Barcelona and Escola d’Art i Superior de Disseny Serra i Abella. This fifth edition presents the works of: Bernat Erra (Barcelona, 2003), Irina Cervelló (Martorell, 2001), Abril Coudougnan (Perpinyà, 1999) and, Patrick Martin (Stockport, England, 1996). Their projects were selected through a viewing carried out by Javier Martín, Arianna Rinaldo and María Santoyo.

The common thread running through these proposals is a critical and sensitive look at the construction of memory, whether intimate, collective, or territorial. The authors explore how photography can become a tool for exploring interpersonal ties, the traces industry leaves on the territory, and the role images play in shaping shared identities and memories. In Opaco, Irina Cervelló examines the cultural, environmental, and economic implications of the Solvay petrochemical complex in her hometown of Martorell. In Tous les mots maux sont inventés, Abril Coudougnan immerses the viewer in her personal photographic archive, a multitude of images taken over six years. Patrick Martin‘s Looking for George invites a reflection on the myths that shape collective memory. In the final part of the tour, Bernat Erra continues this exploration in Fe de errata, analyzing the construction of a collective identity based on the religious imaginary linked to Catholicism.

You may also like
Oil painting Midnight, 1891, by Anders Zorn, featuring a woman sitting in an orange rowboat on a calm lake; she wears a striped skirt and soft striped blouse as she gazes toward the tree-lined shore reflected in the water at sunset.
Black-and-white photograph by Helen Levitt, c. 1940, showing three children playing with paper masks at the entrance to a building in New York; they are leaning on the railing, relaxed as they observe the urban scene.
Black-and-white photograph of passengers on the New York subway in 1938, captured with a direct and contemplative gaze. The image shows a group of anonymous individuals in a public space, each absorbed in their own world, reflecting the mundane yet poignant realities of everyday life. The composition is clean and sharp, characteristic of Evans' precise photographic style.
Color photograph of a woman resting in the sun, wearing a floral bikini in shades of blue and green. She is on a sunbed, with her hair tied up, accessorized with a blue headband and large white earrings. Her makeup includes white and blue tones around her eyes. The image is vibrant and captures a mid-20th century retro style.